Paperback: 320pp
Published: Lightning (March 2026)
ISBN: 9781785634499
Comfort, joy and the secrets of a small-town bordello
‘I love Elinor Lipman’s wit and lightness of touch’
Marian Keyes
Running her parents’ estate-sale business in a small Massachusetts town is not the high-flying career that 32-year-old Emma Lewis imagined for herself. But her parents make an offer she can’t refuse when they move to the coast and invite her to take over their home as well as the family firm.
Their only condition is that she take a lodger, in the shape of her former maths teacher Frank, a widower in his early sixties whose unfaithful wife was recently struck by lightning. Reluctant at first, Emma discovers in him the ideal housemate: considerate, helpful and a romantic ally as they each start dating different generations of the same family.
Frank also helps her out with the business, but they realise they may be out of their depth when Emma wins the contract to empty a noted local mansion, only to discover it operated for years as a high-end bordello. Will her sale of the contents reveal the secrets of half the town?
This charming, laugh-out-loud tale of love and licentiousness behind a respectable façade is another pitch-perfect romantic comedy from the author of Ms. Demeanor.
OUT MARCH 2026. AVAILABLE FOR PRE-ORDER NOW
My new business card reads “Estate of Mind,” and below, in italics, “We empty your nest.” Though I’ve been working alone since my parents retired, I’ve retained the “we” for sentimental reasons, and to sound less like the one-woman operation I hope to keep afloat.
I’ve been estate-sale adjacent since I could add and give change, spending weekends at a table, wrapping and bagging purchases. If buyers tried to negotiate, I’d point to the stated price on the tag or sticker, and ask blankly, “Do you not want it?”
But the grown-up me has learned to be kinder and more psychiatric. I know when to hand-hold and when to hard-sell. Some clients can tell a story about every item in their house if I let them, and sometimes I do. If anyone is convinced that the unsigned portrait over the fireplace is an Old Master, I don’t argue. I let the small local auction house with which I have a relationship (I recommend them; they recommend me) be the bad guy. As ever, they agree that the work in question is either NSV (no sale value) or TFO (the frame only). Yes, I can get $100 for a decent still life by an unknown artist, but it’s small comfort to the surviving children, who grew up expecting that their inherited treasures would be auctioned off for millions.
My new business card reads “Estate of Mind,” and below, in italics, “We empty your nest.” Though I’ve been working alone since my parents retired, I’ve retained the “we” for sentimental reasons, and to sound less like the one-woman operation I hope to keep afloat.
I’ve been estate-sale adjacent since I could add and give change, spending weekends at a table, wrapping and bagging purchases. If buyers tried to negotiate, I’d point to the stated price on the tag or sticker, and ask blankly, “Do you not want it?”
But the grown-up me has learned to be kinder and more psychiatric. I know when to hand-hold and when to hard-sell. Some clients can tell a story about every item in their house if I let them, and sometimes I do. If anyone is convinced that the unsigned portrait over the fireplace is an Old Master, I don’t argue. I let the small local auction house with which I have a relationship (I recommend them; they recommend me) be the bad guy. As ever, they agree that the work in question is either NSV (no sale value) or TFO (the frame only). Yes, I can get $100 for a decent still life by an unknown artist, but it’s small comfort to the surviving children, who grew up expecting that their inherited treasures would be auctioned off for millions.
I wish I could say that no two houses are alike, but Harrow, Massachusetts, has several subdivisions where only the paint colors differentiate one property from another. Inside, there are few surprises. I know what the big-city, apartment-dwelling beneficiaries won’t want: the gas grill, the Weber grill, the porch furniture, the fireplace tools, the lawn mowers, the rakes, the snow shovels, the hedge clippers, the left-handed golf clubs and warped tennis rackets, the recalled playpen, the crib bumpers, the furry toilet seat covers and crocheted tissue-box holders; the DVDs, the cassette tapes, the VHS tapes, the college textbooks, the shag rugs, the sewing machine, the electric typewriters, the souvenirs bought at airport gift shops, the aluminum saucepans, the grape-jelly juice glasses, the empty mayonnaise jars. To my constant amazement, almost everything finds a buyer and a home.
I’m proud of our excellent Yelp reviews complimenting our bedside manner and my parents’ talent for curing a lifetime of buyer’s regret. One written salute to their “Midas Touch” is now reproduced on my invoices. Still, it’s not my calling; the accolades don’t stop me from thinking, Just one more summer . . . just one more sale.
My parents are torn; they want their old business—formerly Finders, Keepers, renamed by me to a more zeitgeisty Estate of Mind—to thrive and to outlive their retirement, yet they want me to be fulfilled, and to put at least one of my degrees to good use.
My most recent one, attended online, in narrative nonfiction, makes them nervous. They ask, “If you’re supposed to ‘write what you know,’ wouldn’t that lead to a tell-all in very bad taste?”
I’m not going to do that. How could I forget my father, widowed young, smiling, shaking his head in something like wonder, asking as we loaded a cracked mirror or a wheelbarrow into a stranger’s car, “Did you ever think your dad would be having as much fun again in this lifetime?”
‘Lipmanland is a world adjacent to our own except the people there are more charming, the conversations are wittier, and love always prevails. Every Tom, Dick & Harry weaves together estate sales, good and bad cops and small-town houses of ill-repute with effortless glee. Add sparkling dialogue, an improbably hilarious funeral, and one of the author’s most endearing love stories and you have the Lipman Literary Landscape at its irresistible best’
Stephen McCauley, author of The Object of My Affection
‘Elinor Lipman’s new novel is all comfort and joy… Every Tom, Dick & Harry is not a rom-com packed with LOL moments; instead, it’s a masterclass in writing about small-town life without tropes or judgment. You want to hang out with Lipman’s characters. Not just one of them, but all of them. They’re quirky, they’re unexpected and they remind you that life is good in a small town even when it’s not, because people care about you — even if they taught you algebra’
‘Quirky and fun, with bawdy wit’
People
‘Enter a delightful small town of the kind only Elinor Lipman can deliver’
BookBub, ‘Most Anticipated’
‘Lipman’s fans and newcomers alike will be tickled’
Publishers Weekly
‘In the delightfully reassuring rom-com tradition of Nora Ephron, the perennially mood-lifting Lipman is equally revered for her lovable characters, spitfire wit and happily-ever-after romantic escapades’
Booklist
‘An estate-sale manager in a small Massachusetts town stumbles on its worst-kept secret….charming’
Kirkus Reviews
‘If you’re a fan of Lipman, you’re going to love it. And, if you’re new to her, you’re in luck: her 14 other comic novels are all terrific’
Minneapolis Star Tribune
‘Lipman reliably plots a smart, madcap foray into love and misadventure. Every Tom, Dick & Harry is a welcome visit to a world of likable characters playing the hands they're dealt, and nefarious ones earning their just rewards… Lipman convincingly weaves together small-town coincidences, revelations of B&B customers, a discovery of a rare sculpture hiding in plain sight, and multiple nuptials to propel this witty and fast-paced feel-good novel to a satisfying conclusion’
Shelf Awareness